Interpreting Historical Keyboard Music: Sources, Contexts and Performance

Contents

• Contents: Preface
• Introduction
• Part I Renaissance Keyboard Music: Some aspects of P-Cug, MM 242: Antonio Carreira's keyboard tentos and fantasias and their close relationship with Jacques Buus's ricercari from his Libro primo (1547), Filipe Mesquita de Oliveira
• Making connections: William Byrd, 'virtual' networks and the English keyboard dance, David J. Smith
• William Byrd's My Ladye Nevells Booke (1591): negotiating between the stile antico and the stile modern in the solo keyboard repertory, Walter Kurt Kreyszig. Part II 17th-Century Keyboard Music: Giovanni Maria Trabaci and the New Manner of Inganni: a mus
• Places of memory and invention: the compositional process in Frescobaldi's manuscripts, Christine Jeanneret
• The Libro di Fra Gioseffo da Ravenna: a little light on a 17th-century Italian keyboard collection, Barbara Cipollone
• A discourse of styles: contrasting gigue types in the A minor Jig from the Purcell partial autograph, GB-Lbl, MS Mus.1, Terence Charlston. Part III Performance Practice: Questions of keyboard temperament in the 16th century, John Koster
• 17th-century harpsichords: playing the four-foot stop, Peter Mole
• 'In playing those bells, his amazing dexterity raised my wonder much higher': carillon performance practice in the 17th and 18th centuries, Carl Van Eyndhoven
• Dynamics and orchestral effects in late 18th-century Portuguese organ music: the works of Jose Marques e Silva (1782-1837) and the organs of Antonio Xavier Machado e Cerveira (1756-1828), Joao Vaz
• Czerny and the organ: pragmatism, prestige and performance practice, Iain Quinn. Part IV Perspectives on 18th-Century Repertoire: Some reflections on Francois Couperin's 'new and diversified character', Jane Clark
• Music for connoisseurs and amateurs: C.P.E. Bach and the keyboard, Susan Wollenberg
• Joao Cordeiro da Silva (1735-1808?): a Portuguese Galant keyboard composer, Mario Marques Trilha. Part V The 19th-Century Piano and Repertoire: Grand and grander: economic sidelights on piano design and piano salesmanship in early 19th-century Vienna, Ti
• Left-hand techniques in Carl Czerny's pedagogical piano works and 19th-century pianism, Katherine Wong
• In the footsteps of Jean Paul: sonority and pedalling in Robert Schumann's Papillons, Op. 2, Balder Neergaard
• A forgotten repertoire: the emergence of female piano composers in 19th-century Portugal, Nancy Lee Harper
• Bibliography
• Index.