Wagner in Russia, Poland and the Czech Lands: Musical, Literary and Cultural Perspectives
- Editor: Belina-Johnson, Anastasia
- Editor: Muir, Stephen
Book
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Contents
- Contents: Foreword: so much more than a composer, Richard Taruskin
- Preface: from the Editors
- 'One can learn a lot from Wagner, including how not to write operas': Sergey Taneyev and his road to Wagner, Anastasia Belina-Johnson
- 'The end of opera itself': Rimsky Korsakov and Wagner, Stephen Muir
- How Russian was Wagner? Russian campaigns to defend or destroy the German composer during the Great War (1914-1918), Rebecca Mitchell
- Prophecy of a revolution: Aleksey Losev on Wagner's aesthetic outlook, Vladimir Marchenkov
- 'The great little man': Dvorak and Wagner, Jan Smaczny
- Wagnerisms in Moravia: Janacek's first opera, Sarka, Michael Ewans
- 'Where the king spirit becomes manifest': Stanislaw Wyspianski in search of the Polish Bayreuth, Radoslaw Okulicz-Kozaryn
- The reception of Wagner's music and ideas in Poland during the Communist years (1945-1989), Magdalena Dziadek
- Bibliography
- Index.