Rethinking Britten
- Editor: Rupprecht, Philip
Masterfully blends multiple modes of inquiry and reestablishes Britten as a seminal composer of modernist and postmodern artistic accomplishment... Highly recommended —
Book
$77.50Special import
Contents
- Contents
- Contributors
- Introduction: Britten's Music and its Audiences
- Philip Rupprecht
- I Public and Private
- 1 On Ambiguity in Britten
- Paul Kildea
- 2 O Hurry to the Feted Spot of your Deliberate Fall: Death in Britten, 1936-1940
- Stephen Arthur Allen
- 3 Love Knots: Britten, Pears, and the Sonnet
- Lloyd Whitesell
- II Opera
- 4 Britten, Grimes, and the Tuneful Air
- Arved Ashby
- 5 Post-War Women in Britten
- J.P.E. Harper-Scott
- 6 Be Flat or Be Natural? Pitch Symbolism in Britten's Operas
- Mervyn Cooke
- III Post-War Encounters
- 7 Britten and the Avant-Garde in the 1950s
- Philip Rupprecht
- 8 Curlew River and Cultural Encounter
- Heather Wiebe
- 9 Britten's Rhetoric of Resistance: the Works for Rostropovich
- Arnold Whittall
- IV Late Modern
- 10 An Excess of Less? Critiquing Britten's Late Song-Cycles
- Christopher Mark
- 11 Animating Owen Wingrave: Ghosts and Global Television
- Danielle Ward-Griffin
- 12 The Dye-line Rehearsal Scores for Death in Venice
- Christopher Wintle
- Works Cited
- Index