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Jazz Arranging and Performance Practice: A Guide for Small Ensembles

  • Author: Rinzler, Paul
detailed but concise...this thoroughly researched and clearly written book will be accessible to students and public library patrons with some technical background

Book

$76.00

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Contents

  • Part 1 Preface
  • Chapter 2 I. BEGINNINGS (INTROS)
  • Part 3 Turnarounds
  • Part 4 Material from the Head
  • Part 5 New Material
  • Part 6 Pick-up Notes
  • Part 7 Free Time
  • Part 8 Vamps
  • Part 9 Pyramids
  • Part 10 No Intro
  • Chapter 11 II. ENDINGS
  • Part 12 Tags
  • Part 13 Similar Endings and Intros
  • Part 14 linking Several Ednings
  • Part 15 Cliche Endings
  • Part 16 Fermatas
  • Part 17 Staccato Vamps
  • Part 18 New material
  • Part 19 Ritard
  • Chapter 20 III. ACCENTS, BREAKS, DYNAMICS
  • Part 21 Accents
  • Part 22 Breaks
  • Part 23 Dynamics
  • Chapter 24 IV. STYLE CHANGES
  • Part 25 Style Changes within a Chorus
  • Part 26 Style Changes between Choruses
  • Part 27 Style Changes for an Entire Tune
  • Part 28 Free Jazz
  • Chapter 29 V. TIME AND TEMPO CHANGES
  • Part 30 Definitions
  • Part 31 Tempo Changes
  • Part 32 Time/Feel Changes
  • Part 33 Meter Changes
  • Part 34 Playing Behind and Ahead of the Beat
  • Chapter 35 VI. FORM CHANGES
  • Part 36 Standard Forms
  • Part 37 Standard Jazz Arrangement
  • Part 38 Changing in the Chorus Structure
  • Part 39 Number of Heads
  • Part 40 Solos
  • Part 41 Changing the Melody
  • Part 42 Fours
  • Chapter 43 VII. RHYTHM SECTION PROCEDURE
  • Part 44 Different Procedure in Head
  • Part 45 Dropping Instruments Out
  • Part 46 Deviations From Standard Patterns
  • Chapter 47 VIII. JAZZ HARMONY
  • Part 48 Chord Symbols
  • Part 49 Relationships between Chords and Scales
  • Part 50 Notating Extensions and Substitute Chords
  • Part 51 Chord Progressions and Substitute Chords
  • Part 52 Common Progressions and Substitute Chords
  • Part 53 Reharmonizing the Given Chord Progression
  • Chapter 54 IX. HARMONIZATION AND ORCHESTRATION
  • Part 55 One-part Writing
  • Part 56 Two-part Writing
  • Part 57 Three-part Writing
  • Part 58 Spacings and Inversions
  • Part 59 Combinations of Instruments
  • Part 60 Limited Harmonization
  • Part 61 Counterpoint and Backgrounds
  • Part 62 New Melodies
  • Part 63 Appendix A. Notation
  • Part 64 Appendix B. Instrumentation
  • Part 65 Appendix C. The Rhythm Section
  • Part 66 Appendix D. Annotated Arrangement
  • Part 67 Glossary
  • Part 68 Bibliography
  • Part 69 Discography
  • Part 70 Index of Tunes
  • Part 71 General
  • Index