Redefining Mainstream Popular Music
- Editor: Baker, Sarah
- Editor: Bennett, Andy
- Editor: Taylor, Jodie
Book
$192.75Printed on demand
Contents
- Part 1 : Re-Appraising the Mainstream
- 1. Making Sense of the Mainstream
- 2. Queer Dissonances, Lesbian Music Cultures and Multiple Mainstreams
- Part 2 : Perceptions of the Mainstream
- 3. The Commercial Success of Grunge and the Contradictions of the Mainstream
- 4. Negotiating the Mainstream from Within: Young Girls' Understandings of Pop Music
- Part 3 : Historicising the Mainstream
- 5. Elvis goes Hollywood: Authenticity, Resistance, Commodification and the Mainstream
- 6. 'It Ain't Necessarily So': Gender, the Popular Music Mainstream and England in the 1960s
- 7. Historicizing the Mainstream of the Late 1960s: Don Kirshner, The Monkees, and the Archies
- Part 4 : Production, Aesthetics and the Mainstream
- 8. 'Sounds Like an Official Mix': The Mainstream Aesthetics of Amateur Remix Production
- 9. Jumping a Moving Gate: Local Conceptions of Overseas and Latent Technological Imperialism
- 10. The Clarity of Distance: Australian Independent Music in a Time of Digital Revolution
- Part 5 : The Mainstream and Vernacular Culture
- 11. Off the Beaten Track: Vernacular and Mainstream in New Zealand Tramping Club Singing
- 12. The 'Mainstream', Portable Music Devices and 'Public' and 'Private' Social Life
- 13. Cheesy Listening: Popular Music and Ironic Listening Practices