Music and Identity Politics

Usually despatched in 5 - 7 working days

Contents: Introduction
Part I Gender and Sexuality: Sic ego te dilegebam: music, homoeroticism and the sacred in early modern Europe, Todd M. Borgerding
On a lesbian relationship with music: a serious effort not to think straight, Suzanne G. Cusick
Introduction: voice, queer, technologies, Freya Jarman-Ivens
Masculine discourse in music theory, Fred Everett Maus
Introduction: a material girl in Bluebeard's castle, Susan McClary
Negotiating masculinity in an Indonesian pop song: Doel Sumbang's 'Ronggeng', Henry Spiller. Part II Race: Dancing with the enemy: Cuban popular music, race, authenticity, and the world-music landscape, Deborah Pacini Hernandez
The Yiddish are coming, Josh Kun
'Are you afraid of the mix of black and white?' Hip hop and the spectacular politics of race, Russell A. Potter
Bela BartA(3)k and the rise of comparative ethnomusicology: nationalism, race purity, and the legacy of the Austro-Hungarian empire, Katie Trumpener. Part III Social Identities: The final borderpost, Philip V. Bohlman
Social stratification and cultural consumption: music in England, Tak Wing Chan and John H. Goldthorpe
'At the twilight's last scoring', Anahid Kassabian
That's my blood down there, George Lipsitz
'Losing...my religion: music, disability, gender and Jewish and Islamic law, Alex Lubet
Politics, identity, and nostalgia in Nigerian music: a study of Victor Olaiya's highlife, Bode Omojola
The Qur'Acn in Indonesian daily life: the public project of musical oratory, Anne K. Rasmussen
Music and the global order, Martin Stokes
Name index.

About
Explore

About

This volume brings together for the first time book chapters, articles and position pieces from the debates on music and identity, which seek to answer classic questions such as: how has music shaped the ways in which we understand our identities and those of others? In what ways has scholarly writing about music dealt with identity politics since the Second World War? Both classic and more recent contributions are included, as well as material on related issues such as music's role as a resource in making and performing identities and music scholarship's ambivalent relationship with scholarly activism and identity politics. The essays approach the music-identity relationship from a wide range of methodological perspectives, ranging from critical historiography and archival studies, psychoanalysis, gender and sexuality studies, to ethnography and anthropology, and social and cultural theories drawn from sociology; and from continental philosophy and Marxist theories of class to a range of globalization theories. The collection draws on the work of Anglophone scholars from all over the globe, and deals with a wide range of musics and cultures, from the Americas, Australasia, Europe, the Middle East and Africa. This unique collection of key texts, which deal not just with questions of gender, sexuality and race, but also with other socially-mediated identities such as social class, disability, national identity and accounts and analyses of inter-group encounters, is an invaluable resource for music scholars and researchers and those working in any discipline that deals with identity or identity politics.

Book

Contents

Download queue