Music in Kenyan Christianity: Logooli Religious Song

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Acknowledgments
Note on Spelling and Orthography
List of Abbreviations
1. Prelude
2. Assembly: Logooli Historical, Cultural, and Musical Background
3. Encounter: Avalogooli and Euro-American Religion, Culture, and Music
4. Consolidation: Christian Religious Genres in Logooli-Land
5. Accommodation: Logooli Adoption and Use of "Book" Music
6. Syncretism: Logooli Christian Songs of the Spirit
7. Invocation: Logooli Christian Songs in Contemporary Education and Media
8. Epilogue
Appendix I: Archival and Media House Records
Appendix II: Song Text and Hymn Tune Sources
Glossary of Terms
Notes
Bibliography
Index

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This sensitive study is a historical, cultural, and musical exploration of Christian religious music among the Logooli of Western Kenya. It describes how new musical styles developed through contact with popular radio and other media from abroad and became markers of the Logooli identity and culture. Jean Ngoya Kidula narrates this history of a community through music and religious expression in local, national, and global settings. The book is generously enhanced by audiovisual material on the Ethnomusicology Multimedia website.

Reviews

International Journal of African Historical Studies

Music in Kenyan Christianity is a significant study in performance practice in contemporary East African Christianity. The meticulous and sometimes highly sophisticated musical analyses, transcriptions, and the rich historical and ethnographic perspectives illuminate not only ongoing discourses and contestations of syncretism and related analytical notions, they also represent a plausible model of a balanced approach to ethnomusicology-i.e., musical and ethnographical. . . . I strongly recommend this book to researchers, teachers, and libraries in African Studies, Religious Studies, Ethnomusicology, and globalization studies

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