Identity and Locality in Early European Music, 1028–1740

Contents

• Contents: Preface
• Introduction
• Part I Identity and Practice in Aquitanian and Iberian Plainchant: Ademar de Chabannes at the nexus of tradition and innovation, James Grier
• Seeking early practice for the exultet in Iberia, Kathleen E. Nelson
• Regional and royal: aspects of practice in 3 Portuguese prints of the Lamentations of Jeremiah (1543-1595), Jane Morlet Hardie
• Plainsong in Eastern Spain and the tono valenciano, Greta J. Olson. Part II Late Medieval Aesthetics, Traditions and Practices: Some early references to Aristotle's Politics in Parisian writings about music, Catherine Jeffreys
• Music and moral philosophy in early 15th-century Padua, Jason Stoessel
• Late-medieval sacred songs: tradition, memory and history, Reinhard Strohm. Part III Local Practices in Renaissance and Baroque Music: Pervasive imitation in Senfl's Ave Maria...Virgo Serens: borrowing from Josquin in 16th-century Augsburg, Miranda Stany
• Alessandro Scarlatti and the Roman copies of his Neapolitan compositions: a source study of the serenata Venere, Adone et Amore (1696), Rosalind Halton
• 'After 6 weeks': music for the churching ceremonies of Maria Josepha, Electoral Princess of Saxony and Queen of Poland, Janice B. Stockigt
• Bibliography
• Index.