Sonic Synergies: Music, Technology, Community, Identity

Contents

• Contents: Introduction
• Part 1 Shifting Contexts: Introduction to part 1, Margaret Peters
• Music, cities, and cultural and creative industries policy, Terry Flew
• Futures for webcasting: regulatory approaches in Australia and the US, Axel Bruns
• Postmusics, Jody Berland
• On the fetish character of sound and the progression of technology: theorizing Japanese audiophiles, Shuhei Husokawa and Hideaki Matsuoka
• The Elvis Spectacle and the culture industry, Douglas Kellner. Part 2 Placing Music: Introduction to part 2, Susan Luckman
• Popular music, media and the narrativization of place, Andy Bennett
• There's no there there, Ian Maxwell
• Ethnic and social differences in music behaviour in a fragmented Berlin, Bruce M.Z. Cohen
• 'Dis is England's new voice': anger, activism and the Asian dub foundation, Ian Collinson
• From folk devils to folk music: tracing Malay heavy metal scene in Singapore, Kelly Fu Yu Sin and Liew Kai Khiun
• The Jamaican dancehall sound system as a commercial and social apparatus, Julian Henriques. Part 3 Creating Agency: Introduction to part 3
• Gerry Bloustien
• Use, misuse and abuse: problems surrounding popular music and its young performers, Sheila Whiteley
• The Idol audience: judging, interactivity and entertainment, Jon Stratton
• Risky economies: community-based organizations and the music-making practices of marginalized youth, Margaret Peters
• 'Unalienated labour' and creative industries: situating micro-entrepreneurial dance music subcultures in the new economy, Susan Luckman
• Up the down staircase: grassroots entrepreneurship in young people's music practices, Gerry Bloustien
• Bibliography
• Index.