The Sounds and Sights of Performance in Early Music: Essays in Honour of Timothy J. McGee

Contents

• Contents: Introduction
• Part I Viewing the Evidence: A sight-reading vielle player from the 13th century, John Haines
• The story of O: a variant in the Beckett Office, Andrew Hughes
• Rubrics in Trent 93 and Trent 90: a performers guide?, Brian E. Power
• The ghost of perfection: some thoughts on the Munich partbooks, Honey Meconi
• Reading the signs: notation and performance in the French popular song repertory, Maureen Epp
• Vincenzo Galilei's re-vision of Renaissance tuning: trading on nature and art, Leslie Korrick. Part II Reconsidering Contexts: Possible origins of the Lo dances and their performance implications, Randall Rosenfeld
• Chamber musicians, singers and performance practices in the early 15th century, Keith Polk
• A measure of moral virtue: women, dancing and public performance in 15th-century Italy, Jennifer Nevile
• Irregular and asymmetric galliards: the case of Salamone Rossi, Barbara Sparti
• Limitations of meaning: text and context in Monteverdi's Baci soavi e cari (1587), Robert Toft
• Hooked on ecstasy: performance 'practice' and the reception of the music of Hildegard of Bingen, Jennifer Bain
• Publications of Timothy J. McGee
• Index.