Hip Hop Africa: New African Music in a Globalizing World

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Preface
African Rap: A Capsule History Eric Charry
Part I. Rap Stories (Ghana and South Africa)
1. The Birth of Ghanaian Hiplife: Urban Style, Black Thought, Proverbial Speech Jesse Weaver Shipley
2. A Genre Coming of Age: Transformation in the Rap Music and Hip Hop Culture of South Africa Lee Watkins
Part II. Griots and Messengers (Senegal, Cote d'Ivoire, and Malawi)
3. The Rapper as Modern Griot: Reclaiming Ancient Traditions Patricia Tang
4. Promises of the Chameleon: Reggae Artist Tiken Jah Fakoly's Intertextual Contestation of Power in Cote d'Ivoire Daniel Reed
5. Style, Message, and Meaning in Malawian Youth Rap and Ragga Performance John Fenn
Part III. Identity and Hybridity (Mali and Nigeria)
6. Mapping Cosmopolitan Identities: Rap Music and Male Youth Culture in Mali Dorothea E. Schulz
7. Nigerian Hip Hop: Exploring a Black World Hybrid Stephanie Shonekan
Part IV. East Coast (Kenya and Tanzania)
8. The Local and Global in Kenyan Rap and Hip Hop Culture Jean Ngoya Kidula
9. Infinite Flavors: Imitation and Innovation in the Music, Dress, and Camps of Tanzanian Youth Alex Perullo
Part V. Popular Music Panoramas (Ghana and Malawi)
10. Contemporary Ghanaian Popular Music Since the 1980s John Collins
11. Popular Music and Young Male Audiences in Contemporary Malawi Jochen Seebode
Part VI. Drumming (Mali)
12. Urban Drumming: Traditional Celebration Music in a West African City (Bamako) Rainer Polak
Music for an African 21st-Century Eric Charry
Bibliography
Discography
Videography
Webography
List of Contributors
Index

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Hip Hop Africa explores a new generation of Africans who are not only consumers of global musical currents, but also active and creative participants. Eric Charry and an international group of contributors look carefully at youth culture and the explosion of hip hop in Africa, the embrace of other contemporary genres, including reggae, ragga, and gospel music, and the continued vitality of drumming. Covering Senegal, Mali, Côte d'Ivoire, Ghana, Nigeria, Kenya, Tanzania, Malawi, and South Africa, this volume offers unique perspectives on the presence and development of hip hop and other music in Africa and their place in global music culture.

Reviews

Africa Today

[Eric Charry] has assembled remarkable essays by experts who offer deep historical and cultural connections showing how Africans shape rap to fit their local circumstances

African Studies Review

Readers with interests in African hip hop and urban youth cultures will find this book indispensable

Research in African Literatures

Hip Hop Africa is recommended for scholars and students with an interest in contemporary African popular culture and urbanism. Given the breadth of its content, it will be a particularly useful resource for graduate and undergraduate courses on global hip hop, African popular music, and urban African culture

African Studies Quarterly

Impressively details hip hop's evolution throughout Africa . . . [and] presents important arguments in African hip hop scholarship, including discussions on African hip hop's linkages with US hip hop, and debates over authenticity and imitation. . . . . The authors in the volume provide extensive background information on hip hop's evolution throughout Africa . . . much of the volume's strength lies in its examination of local hip hop scenes . . . a good look urban music in Africa . . . a solid contribution to scholarship on African hip hop.2013

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