The Cambridge Companion to Recorded Music
- Editor: Clarke, Eric F.
- Editor: Cook, Nicholas
- Editor: Leech-Wilkinson, Daniel
- Editor: Rink, John
the contributors (some 35 of them, counting the editors) form a lively company of writers and have the agreeable art of expressing opinions without seeming opinionated —
Book
$121.75Out of Stock
Contents
- Introduction Eric Clarke, Nicholas Cook, Daniel Leech-Wilkinson and John Rink
- Personal takes: learning to live with recording Susan Tomes
- A short take in praise of long takes Peter Hill
- 1. Performing for (and against) the microphone Donald Greig
- Personal takes: producing a credible voice Mike Howlett
- 'It could have happened': the evolution of music construction Steve Savage
- 2. Recording practices and the role of the producer Andrew Blake
- Personal takes: still small voices Jonathan Freeman-Attwood
- Broadening horizons: 'performance' in the studio Michael Haas
- 3. Getting sounds: the art of sound engineering Albin Zak
- Personal takes: limitations and creativity in recording and performance Martyn Ware
- Records and recordings in post-punk England, 1978-80 Richard Witts
- 4. The politics of the recording studio Louise Meintjes
- Personal take: from Lanza to Lassus Tully Potter
- 5. From wind-up to iPod: techno-cultures of listening Arild Bergh and Tia DeNora
- Personal take: a matter of circumstance: on experiencing recordings Martin Elste
- 6. Selling sounds: recordings and the music business David Patmore
- Personal take: revisiting concert life in mid-century: the survival of acetate discs Lewis Foreman
- 7. The development of recording technologies George Brock-Nannestad
- Personal takes: raiders of the lost archive Roger Beardsley
- The original cast recording of West Side Story Nigel Simeone
- 8. The recorded document: interpretation and discography Simon Trezise
- Personal takes: one man's approach to remastering Ted Kendall
- Technology, the studio, music Nick Mason
- Reminder: a recording is not a performance Roger Heaton
- 9. Methods for analysing recordings Nicholas Cook
- 10. Recordings and histories of performance style Daniel Leech-Wilkinson
- Personal take: recreating history: a clarinettist's perspective Colin Lawson
- 11. Going critical. Writing about recordings Simon Frith
- Personal take: something in the air Chris Watson
- 12. Afterword: from reproduction to representation to remediation Georgina Born
- Global bibliography
- Global discography.