Modern Methods for Musicology: Prospects, Proposals, and Realities

Contents

• Contents: Preface
• Introduction, David Meredith
• Computer representation of music in the research environment, Geraint A. Wiggins
• Digital critical editions of music: a multidimensional model, Frans Wiering
• Filling gaps between current musicological practice and computer technology at IRCAM, Michael Fingerhut and Nicolas Donin
• The computer and the singing voice, David M. Howard
• Mapping the use of ICT in creative music practice, Celia Duffy
• On the use of computational methods for expressive music performance, Werner Goebl and Gerhard Widmer
• Understanding the capabilities of ICT tools for searching, annotation and analysis of audio-visual media, Adam T. Lindsay
• Audio tools for music discovery, Michael Casey
• 'What was the question?': music analysis and the computer, Alan Marsden
• Bibliography
• Index.