Roots Music

Contents

• Contents: Introduction
• Part I Roots, Deconstructed: The popular marketing of 'old ballads': the ballad revival and 18th-century antiquarianism reconsidered, Dianne Dugaw
• Another history of bluegrass: the segregation of popular music in the United States, 1820-1900, Allen Farmelo
• Analogies and differences in African-American musical cultures across the hemisphere: interpretive models and research strategies, Gerhard Kubik
• Love and theft: the racial unconscious of blackface minstrelsy, Eric Lott
• 'That wild Mercury sound': Bob Dylan and the illusion of American culture, Barry Shank. Part II Roots, Experienced: Zydeco/zarico: beans, blues and beyond, Barry Jean Ancelet
• Sounding out the city: music and the sensuous production of place, Sara Cohen
• Techniques of blues composition among Black folksingers, David Evans
• Changing contexts for traditional dance music in Ireland: the rise of group performance practice, Hazel Fairbairn
• 'A special kind of courtesy': action at a bluegrass festival jam session, Michelle Kisliuk
• Composition, authorship, and ownership in flamenco, past and present, Peter Manuel
• 'Funky drummer': New Orleans, James Brown and the rhythmic transformation of American popular music, Alex Stewart
• Afro-American gospel music: a crystallization of the Black aesthetic, Pearl Williams-Jones
• The significance of the relationship between Afro-American music and West African music, Olly Wilson. Part III Offshoots: Metaphors of power, metaphors of truth: the politics of music professionalism in Bulgarian folk orchestras, Donna A. Buchanan
• Native American contemporary music: the women, Beverley Diamond
• The jukebox of history: narratives of loss and desire in the discourse of country music, Aaron A. Fox
• Searching for rockordion: the changing image of the accordion in America, Marion S. Jacobson
• From ranchero to jaiton: ethnicity and class in Texas-Mexican music (two styles in the form of a pair), Manuel PeA+/-a
• Encounter with 'the others from within': t