Rock Music

Contents

• Contents: Introduction: the rock (academic) circus
• Part I Histories, Aesthetics and Ideologies: Prolegomena to any aesthetics of rock music, Bruce Baugh
• Fans and critics: Greil Marcus's Mystery Train as rock 'n' roll history, Mark Mazullo
• Synergies and reciprocities: the dynamics of musical and professional interaction between the Beatles and Bob Dylan, Ian Inglis
• The hippie aesthetic: cultural positioning and musical ambition in early progressive rock, John Covach
• Consuming nature: the Grateful Dead's performance of an anticommercial counterculture, Nadya Zimmerman
• The future is now...and then: sonic historiography in post-1960s rock, Kevin Holm-Hudson
• Indie: the institutional politics and aesthetics of a popular music genre, David Hesmondhalgh
• When women play the bass: instrument specialization and gender interpretation in alternative rock music, Mary Ann Clawson
• All singers are dicks, Deena Weinstein
• Intimacy and distance: on Stipe's queerness, Fred Maus. Part II Sounds, Structures and Styles: The melodic-harmonic 'divorce' in rock, David Temperley
• Triadic modal and pentatonic patterns in rock music, Nicole Biamonte
• Transformation in rock harmony: an explanatory strategy, Christopher Doll
• The persona-environment relation in recorded song, Allan F. Moore
• (Ac)cumulative form in pop-rock music, Mark Spicer
• Every inch of my love: Led Zeppelin and the problem of cock rock, Steve Waksman
• Examining rhythmic and metric practices in Led Zeppelin's musical style, John Brackett
• Bob Dylan and Jimi Hendrix: juxtaposition and transformation All Along the Watchtower, Albin J. Zak III
• The learned vs. the vernacular in the songs of Billy Joel, Walter Everett
• Sound, text and identity in Korn's Hey Daddy, Jonathan Pieslak
• Name index.