Institutions and Patronage in Renaissance Music

Contents

• Contents: Introduction
• Part I Systems of Institutional and Individual Patronage: Anmerkungen zur 'Benefizialkarriere' des Johannes Ockeghem, Adalbert Roth
• The education of choristers in England during the 16th century, Jane Flynn
• Renaissance women as patrons of the music: the North-Italian courts, William F. Prizer
• Patronage and innovation in instrumental music in the 15th century, Keith Polk. Part II Courts and Chapels: Composers at church and court in 15th-century Brussels, Barbara Haggh
• The internationalization of the Italian papal chapels in the early quattrocento, John NA!das
• La musica, la cappelle e il ceremoniale alla corte aragonese di Napoli, Gianluca d'Agostino
• Ritual and regulations: the organization of the Castilian royal chapel during the reign of the Catholic Monarchs, Tess Knighton
• Der 'tAgliche Dienst' der MA1/4nchner Hofkapelle im 16. Jahrhundert, Franz KArndle
• Music and patronage at the court of Rudolf II, Robert Lindell. Part III Churches, Orders, Guilds, Confraternities: Change and continuity in the Reformation period: church music in north German towns, 1500-1600, Joachim Kremer
• Le pratiche della musica nelle chiese e nelle confraternite di Roma nel cinquecento, Noel O'Regan
• Far una bella procession: music and ceremony at the Venetian scuole grandi, Jonathan E. Glixon. Part IV Composers: Protector, imo versus pater: Francesco Zabarella's patronage of Johannes Ciconia, Anne Hallmark
• After Burgundy: rethinking Binchois's years in Soignies, Sean Gallagher
• Zur sozialen Stellung europAischer Renaissance-Musiker am Bespiel Orlando di Lassos, Horst Leuchtmann. Part V Spaces: Spaces for court music, Jose Manuel Barbeito
• Magnificence as civic image: music and ceremonial space in early modern Venice, Iain Fenlon
• Name index.