Essays on Opera, 1750-1800
- Editor: Rice, John
there is much here to stimulate and enhance the enjoyment of the thoughtful opera-goer, while at the same time there is much food for thought for performers, and above all producers —
Book
$268.25Printed on demand
Contents
- Contents: Introduction
- Part I Aesthetics and Dramaturgy: The theory and practice of piccinnisme, Julian Rushton
- Recitative and dramaturgy in the dramma per musica, Raymond Monelle
- Opera versus drama: Romeo and Juliet in 18th-century Germany, Thomas Bauman
- Mozart's operas and the myth of musical unity, James Webster. Part II Singers: Raaff's last aria: a Mozartian idyll in the spirit of Hasse, Daniel Heartz
- Galuppi, Tenducci, and Motezuma: a commentary on the history and musical style of opera seria after 1750, Dale E. Monson
- 'Ich bin die erste SAngerin': vocal profiles of two Mozart sopranos, Patricia Lewy Gidwitz
- Mozart's Ilia and Elettra: new perspectives on Idomeneo, Paul Corneilson. Part III Sensibility, Sentiment, and the Pastoral: 'Pamela': the offspring of Richardson's heroine in 18th-century opera, Mary Hunter
- Human nature in the unnatural garden: Figaro as pastoral, Wye J. Allanbrook
- From Nina to Nina: psychodrama, absorption and sentiment in the 1780s, Stefano Castelvecchi
- L'arbore di Diana: a model for CosA fan tutte, Dorothea Link
- The sentimental muse of opera buffa, Edmund J. Goehring. Part IV Orientalism and Exoticism: Mozart in Turkey, Benjamin Perl
- Oriental tyranny in the extreme West: reflections on Amiti e Ontario and Le gare generose, Pierpaolo Polzonetti. Part V Opera and Politics: On the freedom of the theatre and censorship: the Adrien controversy (1792), Elizabeth C. Bartlet
- Songs to shape a German nation: Hiller's comic operas and the public sphere, Estelle Joubert. Part VI Mozart and His Viennese Contemporaries: Mozart's fee for CosA fan tutte, Dexter Edge
- How original was Mozart? Evidence from opera buffa, John Platoff
- Salieri's CosA fan tutte, Bruce Alan Brown and John A.Rice
- Die ZauberflAte, Masonic opera, and other fairy tales, David J. Buch. Part VII Opera Seria: The Venetian role in the transformation of Italian opera seria in the 1790s, Marita P. McClymonds
- Mayr, Rossini, and the development of the opera seria du
