Gypsy Jazz: In Search of Django Reinhardt and the Soul of Gypsy Swing

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Prologue
Chapter 1: The Guitar with a Human Voice
In Search of Django Reinhardt
Chapter 2: The Boy With the Banjo
Into a Zigzag Paradise
Chapter 3: Bals Musette
Music from the Dark Side of the City of Light
Chapter 4: Jazz Modernistique
Revisiting the Babylon of Gypsy Jazz
Chapter 5: Songs of One Thousand and One Nights
Django Reinhardt, Schnuckenack Reinhardt, and Gypsy Jazz Under the Nazis
Chapter 6: Gypsy Bebop
From Dizzy and Bird to Django and the Gibson Generation
Chapter 7: Les Guitares a Moustache
Revolutionary Jazz Guitars for a Jazz Revolution
Chapter 8: Crossroads
On the Road to Les Saintes-Maries-de-la-Mer
Chapter 9: Dynasty
Les Freres Ferret and their Musical Clan
Chapter 10: La Derniere Valse des Niglos
Saints and Sinners of the Malha Clan
Chapter 11: Au Son des Guitares
On the Trail of Patotte Bousquet
Chapter 12: The Unsung Master of the Gypsy Waltz
Tracing the Legacy of Tchan Tchou
Chapter 13: The Lost
The Secret History of Lousson Baumgartner and the Other Family
Chapter 14: Minstrel
Bamboula Ferret and the Travels of a Romany Troubadour
Chapter 15: Resurrection
The New Elegance of Bireli Lagrene, Stochelo Rosenberg, Angelo Debarre, and Ninine Garcia
Chapter 16: The Music Thieves
Into America with Danny Fender, Johnny Guitar, John Adomono, and Julio Bella Chapter 17: Gypsy Jazz Rap
Syntax and the Search for Le Meilleur Chemin
Chapter 18: The Most Dangerous Guitar Lesson
Jamming with David Reinhardt
Epilogue: Latcho Drom - The Long Road
Recommended Listening
Notes
Recommended Reading
Bibliography
Acknowledgments
Index

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Of all the styles of jazz to emerge in the twentieth century, none is more passionate, more exhilaratingly up-tempo, or more steeped in an outsider tradition than Gypsy Jazz. And there is no one more qualified to write about Gypsy Jazz than Michael Dregni, author of the acclaimed biography, Django. A vagabond music, Gypsy Jazz is played today in French Gypsy bars, Romany encampments, on religious pilgrimages--and increasingly on the world's greatest concert stages. Yet its story has never been told, in part because much of its history is undocumented, either in written form or often even in recorded music. Beginning with Django Reinhardt, whose dazzling Gypsy Jazz became the toast of 1930s Paris in the heady days of Josephine Baker, Picasso, and Hemingway, Dregni follows the music as it courses through caravans on the edge of Paris, where today's young French Gypsies learn Gypsy Jazz as a rite of passage, along the Gypsy pilgrimage route to Les Saintes-Maries-de-la-Mer where the Romany play around their campfires, and finally to the new era of international Gypsy stars such as Bireli Lagrene, Boulou Ferre, Dorado Schmitt, and Django's own grandchildren, David Reinhardt and Dallas Baumgartner. Interspersed with Dregni's vivid narrative are the words of the musicians themselves, many of whom have never been interviewed for the American press before, as they describe what the music means to them. Gypsy Jazz also includes a chapter devoted entirely to American Gypsy musicians who remain largely unknown outside their hidden community. Blending travelogue, detective story, and personal narrative, Gypsy Jazz is music history at its best, capturing the history and culture of this elusive music--and the soul that makes it swing.

Reviews

In this fascinating picaresque adventure into European gipsy culture, Michael Dregni not only discovers much hitherto undocumented information about the background to the great manouche guitarist Django Reinhardt, but also about his musical and social forbears, contemporaries and heirs. Dregni's sparky prose and fervent enthusiasm enliven his search, which always comes back to the music itself, in which he finds, alongside the influence of American jazz, a timeless romani wistfulness, the lingering melancholy of an itinerant people

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