Brazilian Popular Music and Globalization
- Editor: Dunn, Christopher
- Editor: Perrone, Charles A.
Book
$87.00Out of stock at the UK distributor
Contents
- 1. "Chiclete corn Banana": Internationalization in Brazilian Popular Music, by Charles A. Perrone and Christopher Dunn;
- 2. Carmen Mirandadada, by Caetano Veloso;
- 3. Myth, Melopeia, and Mimesis: Black Orpheus, Orfeu, and Internationalization in Brazilian Popular Music, by Charles A. Perrone;
- 4. Tropicalia, Counterculture, and the Diasporic Imagination in Brazil, by Christopher Dunn;
- 5. Globalizing Caetano Veloso, by Liv Sovik;
- 6. Cannibals, Mutants, and Hipsters: The Tropicalist Revival, by John Harvey;
- 7. Defeated Rallies, Mournful Anthems, and the Origins of Brazilian Heavy Metal, by Idelber Avelar;
- 8. The Localization of Global Funk in Bahia and in Rio, by Livio Sansone;
- 9. World of Fantasy, Fantasy of the World: Geographic Space and Representation of Identity in the Carnival of Salvador, Bahia, by Milton Araujo Moura;
- 10. Songs of Olodum: Ethnicity, Activism, and Art in a Globalized Camival Community, by Piers Armstrong;
- 11. "Fogo na Babilonia": Reggae, Black Counterculture, and Globaiization in Brazil, by Osmundo de Araujo Pinho;
- 12. Reggae in Bahia: A Case of Long-Distance Belonging, by Antonio J. V. dos Santos Godi;
- 13. Black or Brau: Music and Subjectivity in a Global Context, by Ari Lima;
- 14. Turned-Around Beat: Maracatu de baque virado and Chico Science, by Larry Crook;
- 15. Self-Discovery in Brazilian Popular Music: Mestre Ambrosio, by John Murphy;
- 16. "Good Blood in the Veins of This Brazilian Rio," or a Cannibalist Transnationalism, by Frederick Moehn
