New Perspectives on Music and Gesture

Contents

• Contents: Introduction, Anthony Gritten and Elaine King
• Psychobiology of musical gesture: innate rhythm, harmony and melody in movements of narration, Colwyn Trevarthen, Jonathan Delafield-Butt and Benjaman SchA gler
• Gestures in music-making: action, information and perception, W. Luke Windsor
• Co-articulated gestural-sonic objects in music, Rolf Inge GodA,y
• Musical gesture and musical grammar: a cognitive approach, Lawrence M. Zbikowski
• Distraction in polyphonic gesture, Anthony Gritten
• The semiotic gesture, Ole KA hl
• Gestural economies in conducting, Philip Murray Dineen
• Computational analysis of conductors' temporal gestures, Geoff Luck
• Gestures and glances: interactions in ensemble rehearsal, Elaine King and Jane Ginsborg
• Imagery, melody and gesture in cross-cultural perspective, Gina Fatone, Martin Clayton, Laura Leante and Matt Rahaim
• Whose gestures? Chamber music and the construction of permanent agents, Roger Graybill
• In the beginning was gesture: piano touch and the phenomenology of the performing body, Mine Dogantan-Dack
• Motive, gesture and the analysis of performance, John Rink, Neta Spiro and Nicolas Gold
• Index.