Harmony

Contents

• Preface to the first edition
• Preface to the sixteenth edition
• 1. Introduction
• 2. Key, or tonality
• 4. The diatonic triads of the major key
• 5. The diatonic triads of the major key (continued)
• 6. The inversions of the triads of a major key
• 7. The minor key: its diatonic triads and their inversions
• 8. The chord of the dominant seventh
• 9. Key relationships - modulation to nearly related keys - false relations
• 10. Unessential discords (I) - auxiliary notes, passing notes, and anticipation
• 11. Unessential discords (II) - suspensions
• 12. The chord of the dominant ninth
• 13. The chord of the dominant eleventh
• 14. The chord of the dominant thirteenth
• 15. Chromatic triads - the chromatic scale
• 16. Chromatic chords of the seventh
• 17. Chromatic chords of the ninth - false notation - enharmonic modulation
• 18. Chromatic chords of the eleventh and thirteenth
• 19. The chord of the augmented sixth
• 20. Pedals
• 21. Harmony in fewer and more than four parts
• Appendix A. The ecclesiastical modes
• Appendix B. The harmonic series
• Analytical key to the exercises in the sixteenth and subsequent editions of Harmony: Its Theory and Practice.