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Expressive Intersections in Brahms: Essays in Analysis and Meaning

  • Editor: Platt, Heather
  • Editor: Smith, Peter H.
Through its unique combination of historical narrative, expressive content, and technical analytical approaches, the essays in Expressive Intersections in Brahms will have a profound impact on... More…

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Contents

  • Ackowledgements
  • Part I 1. "The Wondrous Transformation of Thought into Sound": Some Preliminary Reflections on Musical Meaning in Brahms, Heather Platt and Peter H. Smith
  • 2. The Learned Self: Artifice in Brahms's Late Intermezzi, Steven Rings
  • Part II 3. "Alte Liebe" and the Birds of Spring: Text, Music, and Image in Max Klinger's Brahms Fantasy, Yonatan Malin
  • 4. Brahms's Maidens in their Cultural Context, Heather Platt
  • 5. Ancient Tragedy and Anachronism: Form as Expression in Brahms's Gesang der Parzen, Margaret Notley
  • Part III 6. Sequence as Culmination in the Chamber Music of Brahms, Ryan McClelland
  • 7. 'Phantasia Subitanea': Temporal Caprice in Brahms's Op. 116, nos. 1 and 7, Frank Samarotto
  • 8. Monumentality and Formal Processes in the First Movement of Brahms's Piano Concerto No. 1 in D Minor, op. 15, James Hepokoski
  • 9. The Drama of Tonal Pairing in Chamber Music of Schumann and Brahms, Peter H. Smith
  • Bibliography
  • List of Contributors
  • Index