Popular Music and Human Rights: 2 volume set

Contents

• Contents: Foreword
• Introduction
• More relevance than spotlight and applause: Billy Bragg in the British folk tradition, Kieran Cashell
• 'Know your rights': punk rock, globalization and human rights, Kevin C. Dunn
• Unlocking the silence: Tori Amos, sexual violence and affect, Deborah Finding
• Pantomime paranoia in London or, 'look out he's behind you!', John Hutnyk
• The Blues, trauma, and public memory: Willie King and the Liberators, Stephen A. King
• The aesthetic dimension: cultural politics, human rights, and Hedwig, Stefan Mattessich
• The evolution of the political benefit rock album, Neil Nehring
• Which music for which catastrophe? The functions of popular music 21st century benefit concerts, Sam O'Connell
• From midnight music to civil rights, from bluesology to human rights: Gil Scott-Heron, American Griot, Ian Peddie
• Plight of the Redman: XIT, Red power, and the refashioning of American Indian ethnicity, Christopher A. Scales
• 'The country we carry in our hearts is waiting': Bruce Springsteen, Franklin Delano Roosevelt, and the search for human rights in America, David Thurmaier
• The vision of possibility: popular music, women and human rights, Sheila Whiteley
• Bibliography
• Discography
• Index.