Analyzing Classical Form: An Approach for the Classroom
- Author: Caplin, William E.
Book
$277.75Special import
Contents
- Chapter 1 A Review of Harmony
- The Basics
- Harmonic vocabulary
- Harmonic progressions
- Let's Practice
- More Details
- Tonic function
- Dominant function
- Pre-dominant function
- Prolongational progressions
- Cadential progressions
- Sequential progressions
- Finer Points
- Reviewing the Theory
- Examples for Analysis
- Part 1 Conventional Theme-Types
- Chapter 2 The Sentence
- The Basics
- Presentation phrase
- Continuation phrase
- Let's Practice
- More Details
- Basic idea
- Repetition of the basic idea
- Tonic prolongation
- Presentation phrase versus presentation function
- Continuation function
- Cadential function
- Continuation
- Finer Points
- Real versus notated measures
- Modulating sentence
- Reviewing the Theory
- Examples for Analysis
- Model Composition
- Chapter 3 The Period
- The Basics
- Antecedent phrase
- Consequent phrase
- Let's Practice
- More Details
- Basic idea
- Contrasting idea
- Weak cadential closure
- Return of the basic idea
- Strong cadential closure
- Boundary processes: lead-in, elision
- Finer Points
- Antecedent (and consequent) as mini-sentence
- Modulating period
- cadential strength
- Reinterpreted half cadence
- Sentence versus period
- Reviewing the Theory
- Examples for Analysis
- Model Composition
- Chapter 4 Hybrid Themes
- The Basics
- Hybrid types
- Let's Practice
- More Details
- Hybrid type: antecedent + continuation
- Hybrid type: antecedent + cadential
- Compound basic idea
- Hybrid type: compound basic idea + continuation
- Hybrid type: compound basic idea + consequent
- Finer Points
- Hybrid themes in relation to the sentence and period
- Appearances of the basic idea
- Phrase ambiguities
- Other hybrid possibilities
- Reviewing the Theory
- Examples for Analysis
- Model Composition
- Chapter 5 Phrase Deviations, Cadential Deviations, and Framing Functions
- The Basics
- Phrase deviations
- Cadential deviations
- Framing functions
- Let's Practice
- More Details
- Phrase deviations
- Cadential deviations
- Framing functions
- Finer Points
- Contrasting idea replaced by continuation phrase
- Codetta closes with cadence
- cadence of limited scope
- Boundary process: melodic overlap
- Reviewing the Theory
- Examples for Analysis
- Model Composition
- Chapter 6 Compound Themes
- The Basics
- Compound Period
- Compound Sentence
- Let's Practice
- More Details
- Compound Period
- Compound Sentence
- Finer Points
- Compound period
- Real vs. notated measures
- Reviewing the Theory
- Examples for Analysis
- Model Composition
- Chapter 7 The Small Ternary (Rounded Binary)
- The Basics
- Exposition (A)
- Contrasting middle (B)
- Recapitulation (A')
- Let's Practice
- More Details
- Tight-knit versus loose formal organization
- Exposition (A)
- Contrasting middle (B)
- Recapitulation (A')
- Finer Points
- Contrasting middle (B)
- Recapitulation (A')
- Reviewing the Theory
- Examples for Analysis
- Model Composition
- Chapter 8 The Small Binary
- The Basics
- Part 1
- Part 2
- Let's Practice
- More Details
- Part 1
- Part 2
- Reviewing the Theory
- Examples for Analysis
- Model Composition
- Part 2 Sonata Form
- Chapter 9 Sonata Form-An Overview
- Large-scale formal structure
- Large-scale tonal structure
- Exposition
- Let's Practice
- Development
- Let's Practice
- Recapitulation
- Let's Practice
- Chapter 10 Exposition (I)-Main Theme
- The Basics
- More Details
- Conventional theme-types
- Nonconventional theme-types
- Finer Points
- Main-theme group
- Character and affect
- Reviewing the Theory
- Examples for Analysis
- Chapter 11 Exposition (II)-Transition
- The Basics
- Let's Practice
- More Details
- Style, character, dynamics
- Boundary processes: accompanimental overlap, elision
- Modulation techniques
- Opening strategies
- Phrase-structural organization
- loosening devices
- Closure
- Finer Points
- Unusual opening strategies
- Two-part transition
- Omission of concluding function
- Reviewing the Theory
- Examples for Analysis
- Chapter 12 Exposition (III)-Subordinate Theme
- The Basics
- Let's Practice
- More Details
- Contrasting nature of the subordinate theme
- Looser sentential functions
- Internal half cadence (dominant arrival)
- Subordinate-theme group
- Closing section
- Finer Points
- Omission of initiating function
- Expanded periodic design
- Expanded repetition of a subordinate theme
- Harmonic-tonal loosening
- Thematic introduction
- Obscured boundary between transition and subordinate theme
- Reviewing the Theory
- Examples for Analysis
- Chapter 13 Development
- The Basics
- Tonal organization
- Phrase-structural organization
- Let's Practice
- More Details
- Melodic-motivic material
- Core
- Pre-core
- Retransition
- Finer Points
- Development sections without a core
- Transitional introduction
- Unusual endings
- Reviewing the Theory
- Examples for Analysis
- Chapter 14 Recapitulation
- The Basics
- An analytical methodology-comparison
- Tonal-harmonic organization
- Structural changes
- Let's Practice
- More Details
- Thematic functions of the recapitulation
- Structural changes: main theme
- Structural changes: transition
- Structural changes: subordinate theme (group)
- Finer Points
- Additional features of the recapitulation
- Fusion of main theme and transition
- Deviations from the norm
- Reviewing the Theory
- Examples for Analysis
- Chapter 15 Coda
- The Basics
- Let's Practice
- More Details
- Melodic-motivic material of the coda
- Start of the Coda
- Phrase structural organization of the coda
- Compensatory functions
- Reviewing the Theory
- Examples for Analysis
- Chapter 16 Slow Introduction
- The Basics
- Let's Practice
- More Details
- Style and affect
- Tonal, phrase-structural, and motivic organization
- Reviewing the Theory
- Examples for Analysis
- Part 3 Other Full-Movement Forms
- Chapter 17 Slow-Movement Forms
- The Basics
- Large Ternary
- Theme and Variations
- Sonata without development
- Let's Practice
- More Details
- Large ternary versus small ternary
- Large ternary-interior theme
- Large ternary-coda
- Theme and variations-structural alterations
- Finer Points
- Sonata form in slow movements
- Sonata without development-truncated recapitulation
- Ending a slow movement
- Reviewing the Theory
- Examples for Analysis
- Chapter 18 Minuet/Trio Form
- The Basics
- Minuet/trio form
- Minuet form
- Let's Practice
- More Details
- Exposition (A)
- Contrasting middle (B section)
- Recapitulation (A')
- Coda
- Trio
- Finer Points
- Binary minuet form
- Minuet/trio form-functional relations
- Reviewing the Theory
- Examples for Analysis
- Chapter 19 Rondo Forms
- The Basics
- Five-part rondo
- Sonata-rondo
- Let's Practice
- More Details
- Main theme
- Subordinate-theme complex
- Interior theme
- Returns of the main theme
- Development
- Coda
- Finer Points
- Deviations from the norm
- Enlargements of rondo form-seven-part rondo, nine-part sonata-rondo
- Reviewing the Theory
- Examples for Analysis
- Chapter 20 Concerto Form
- The Basics
- Opening ritornello
- Solo Exposition
- Subordinate-key ritornello
- Let's Practice
- More Details
- Opening ritornello
- Solo Exposition
- Subordinate-key ritornello
- Solo Development
- Solo Recapitulation
- Closing ritornello
- Reviewing the Theory
- Examples for Analysis
- Glossary of Terms
- Notes
- Index of Musical Compositions
- General Index