Book
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Contents
- Preface to the Third Edition
- Preface to the Second Edition
- Preface to the First Edition
- History of Bartok's Musical Development: An Introduction
- 1. Basic Sources of Bartok's Style
- 2. Early Germanic Musical Influences from 1897 to 1902
- 3. Influence of Liszt, the Magyar Nota, and First Contact with Authentic Hungarian Folk Music (1902-1905)
- 4. Bartok's First Folk-Music Investigations, His Discovery of Debussy, and Early Compositional Results (1905 through World War I)
- 5. Expanded Folk-Music Investigations and First Mature Compositions
- 6. Toward Synthesis of Divergent Art- and Folk-Music Sources
- 7. End of World War I to Mid-1920s
- 8. Final Period (1926-1945)
- 9. Last Years in the United States (1940-1945)
- I. Published Compositions According to Genre: With Publishers, Archives, Collections, and Catalogues
- Catalogue of Compositions
- 1. Piano Solo
- 2. Chamber Music
- 3. Solo Instruments and Orchestra
- 4. Full or Small Orchestra
- 5. Solo Voice and Piano
- 6. Chorus, A Cappella and with Piano
- 7. Voice and Orchestra
- 8. Chorus and Orchestra
- 9. Stage Works
- 10. Bartok's Editions and Transcriptions of Keyboard Works by Other Composers
- II. Primary Sources: Bartok's Writings and Other Documents
- 1. Articles by Bartok
- 2. Essays in Collected Editions
- 3. Letters in Collected Editions
- 4. Letters Published Individually in Other Works
- 5. Documents, Pictures, Letters, and Essays in Collected Editions
- 6. Folk Music Collections
- 7. Facsimiles, Reprints, and Revisions of the Music
- III. Biographical and Historical Studies
- 1. General Studies of Bartok's Life and Music, His Background, Time, and Forebears
- 2. Discussions of Specific Biographical Events, Aspects, and Details
- 3. Specialized Studies of Bartok's Career and Work as Ethnomusicologist
- 4. Specialized Discussions of Bartok's Personality, Philosophical Views, Political Attitudes, and/or Philosophy of Composition
- 5. Discussions Dealing with the State of Bartok Research or Performance
- IV. Studies of Bartok's Musical Compositions
- 1. Analytical and Theoretical Studies of Bartok's Works
- 2. Studies of Bartok's Style and Aesthetics
- 3. Folk-Music Influences on Bartok's Compositions
- 4. Art-Music Influences on Bartok's Compositions
- 5. Bartok's Influences on Others
- 6. Studies of Bartok's Compositional Process (Sketches, Manuscript Drafts, Editions, Versions, His Own Recordings) and/or History of the Works
- 7. Bartok's Orientation Toward Pedagogy and/or Performance Interpretation
- V. Discussions of Institutional Sources for Bartok Research
- and Essays in Collected Volumes
- 1. Archives, Special Libraries, Societies, Organizations, and Institutes Devoted to Bartok
- 2. Bibliographies, Discographies, and Catalogues
- 3. Conferences, Festivals, Journals, Newsletters, and Special Issues Devoted or Relevant to Bartok
- 4. Computerized Data Bases for Analysis and Research
- 5. Bartok Websites
- Author-Title Index
- Index of Bartok's Compositions, Keyboard Editions, and Transcriptions
- Index of Proper Names
- Subject Index