Jazz Matters: Sound, Place, and Time since Bebop

Contents

• List of Illustrations
• Introduction
• Part I . Sound and Time
• 1. Being (and Becoming) John Coltrane: Listening for Jazz "Subjectivity"
• 2. Musicology beyond the Score and the Performance: Making Sense of the Creak on Miles Davis's "Old Folks"
• 3. Sex Mob and the Carnivalesque in Postwar Jazz
• Part II . Place and Time
• 4. Race, Place, and Nostalgia after the Counterculture: Keith Jarrett and Pat Metheny on ECM
• 5. Rethinking Jazz Education
• 6. Negotiating National Identity among American Jazz Musicians in Paris
• Acknowledgments
• Appendix
• 1. Sample of American Jazz Musicians Born Since 1950 Who Studied Jazz at the College Level
• Appendix
• 2. Interview Locations and Dates Notes
• Index