Popular Music: Critical Concepts in Media and Cultural Studies

Contents

• Volume One: Music and Society A. The Making of Popular Music: Meanings and Values;
• 1. Peter Bailey: 'Conspiracies of Meaning: Music Hall and the Knowingness of Popular Culture', Past & Present, 144, 1994. [22 pages in his book];
• 2. Dave Harker: 'Francis James Childs and the Ballad Consensus', Folk Music Journal 14, 1981, pp; 146-164;
• 3. Leroi Jones [Amiri Baraka]. 'Classic Blues', in Blues People (NY: William Morrow and Company, 1963), pp; 81-94;
• 4. Samuel A. Floyd, Jr. 'Ring Shout' Literary Studies, Historical Studies, and Black Music Inquiry, Black Music Research Journal, 11, 2, 1991, pp; 265-287 B. The Making of Popular Music: Machines and Media;
• 5. Dave Laing. 'A Voice Without a Face. Popular Music and the Phonograph in the 1890s', Popular Music, 10, 1, 1991, pp; 1-9;
• 6. Pekka Gronow. 'The Record Industry: the Growth of a Medium', Popular Music, 3, 1983, pp; 53-75;
• 7. Gerry Farrell. 'The Early Days of the Gramophone Industry in India. Historical, Social and Musical Perspectives', British Journal of Ethnomusicology, 2, 1994, pp; 31-53;
• 8. Gillian B. Anderson. 'The Presentation of Silent Films, or Music as Anaesthesia', Journal of Musicology, 5, 2, 1987, pp; 257-
• 295. C. Music, Entertainment and Dance;
• 9. Lewis A. Erenberg. 'Everybody's Doin' It': The Pre-World War 1 Dance Craze, The Castles and the Modern American Girl', XXXXX, pp; 155-170;
• 10. Alf Bjornberg and Olaf Stockfelt. Kristen Klatvask fra Vejle: Danish Pub Music, Mythscapes and 'Local Camp', Popular Music, 15, 2, 1996, pp.131-147;
• 11. Ben Malbon. 'The Dancer from the Dance: the Musical and Dancing Crowds of Clubbing' in Clubbing (London: Routledge, 1999) pp; 85-
• 104. D. Music and Everyday Life;
• 12. Philip Tagg. 'Universal Music' and the Case of Death, Critical Quarterly, 35, 2, 1993, pp; 54-85;
• 13. Olaf Stockfelt. 'Adequate Modes of Listening', in D. Schwarz, A. Kassabian and L.Siegel, ed., Keeping Score: Music, Disciplinarity and Culture (Charlottesville, VA: University Press of Virginia, 1997), pp; 129-146;
• 14. Karen Lury. 'Chewing Gum for the Ears: Children's Television and Popular Music', Popular Music 21, 3, 2002, pp; 291-
• 305. E. Being a Musician;
• 15. Alfred Schutz. 'Making Music Together' [1951], in Collected Papers, Volume 2 (The Hague: Martinus Nijhoff, 1964), pp.159-178;
• 16. Howard Becker: 'The Culture of a Deviant Group. The Dance Musician', American Journal of Sociology, 57, 1951. [pp 55-65 in book];
• 17. Robert A. Stebbins. 'Music Among Friends: the Social Networks of Amateur Musicians', International Review of Sociology, 12, 1976, pp. XXXX. B