Composing for the Screen in Germany and the USSR: Cultural Politics and Propaganda
- Editor: Powrie, Phil
- Editor: Stilwell, Robynn
Book
$27.25Contents
- Contents
- Introduction
- Part 1. Germany
- 1. Film Music in the Third Reich Robert E. Peck
- 2. Herbert Windt's Film Music to Triumph of the Will: Ersatz-Wagner or Incidental Music to the Ultimate Nazi-Gesamtkunstwerk? Reimar Volker
- 3. Alban Berg, Lulu, and the Silent Film Marc Weiner
- 4. From Revolution to Mystic Mountains: Edmund Meisel and the Politics of Modernism Christopher Morris
- 5. New Technologies and Old Rites: Dissonance between Picture and Music in Readings of Joris Ivens's Rain Ed Hughes
- 6. "Composition with Film": Mauricio Kagel as Filmmaker Bjoern Heile
- Part 2. The USSR
- 7. Eisenstein's Theory of Film Music Revisited: Silent and Early Sound Antecedents Julie Hubbert
- 8. Aleksandr Nevskiy: Prokofiev's Successful Compromise with Socialist Realism Rebecca Schwartz-Bishir
- 9. In Marginal Fashion: Sex, Drugs, Russian Modernism, and New Wave Music in Liquid Sky Mitchell Morris
- List of Contributors
- Index
