Citation, Intertextuality and Memory in the Middle Ages and Renaissance volume 1: Text, Music and Image from Machaut to Ariosto

Contents

• Introduction by Lina Bolzoni (scuola Normale Superiore, Pisa, Italy)
• 1. Benjamin Albritton (Washington State University, USA) Translation and Parody: Responses to Machaut's Lay de confort
• 2. Jacques Boogaart (University of Amsterdam, Netherlands) Folie couvient avoir. Citation and Transformation in Machaut's Musical Works: Gender Change and Transgression
• 3. Ardis Butterfield (University College London) The Construction of Textual Form: Cross-Lingual Citation in the Medieval Lyric
• 4. Monica Calabritto (City University of New York, USA) Examples, References and Quotations in Sixteenth-Century Medical Texts
• 5. Alessandro Daneloni (University of Messina, Italy) Auctores and Auctoritas in the Preface to Angelo Poliziano's Miscellaneorum Centuria Prima
• 6. Stefano Jossa (Royal Holloway University of London) Classical Memory and Modern Poetics in Ariosto's Orlando furioso
• 7. Domenic Leo (Youngstown State University, USA) The Beginning is the End: Guillaume de Machaut's Illuminated Prologue
• 8. Anthony Musson (University of Exeter) The Power of Image: Allusion and Intertextuality in Illuminated English Law books
• 9. R. Barton Palmer (Clemson University, USA) Self-Allusion and the Poetics of Metafictionality in Guillaume de Machaut's Voir-Dit
• 10. Kathleen Palti (University College London) Representations of Voices in Middle English Lyrics
• 11. Jan Stejskal (University of Olomouc, Czech Republic) Memory and Heresy: Perception of the Hussite Reformation in 15th-century Tuscany
• 12. Anne Stone (City University of New York, USA) Machaut Sighted in Modena
• 13. Karel Thein (University of Prague, Czech Republic) Image, Memory and Judgement. On Ambrogio Lorenzetti's Good Government frescoes and his Allegory of Redemption Bibliography Index