Recorded Music

Contents

• Introduction Amanda Bayley;
• Part I . Recordings and their Contexts:
• 1. The rise and rise of phonomusicology Stephen Cottrell;
• 2. Illusion and aura in the classical audio recording Peter Johnson;
• 3. Ethical and cultural issues in the digital era Andrew Blake;
• 4. The changing functions of music recordings and listening practices Adam Krims;
• Part II . The Recording Process:
• 5. Producing performance James Barrett;
• 6. Modi operandi in the production of 'world music' recordings John Baily;
• 7. Recording and the Rattle phenomenon David Patmore;
• 8. Jazz recordings and the 'capturing' of performance Peter Elsdon;
• Part III . Recordings as Texts:
• 9. Jazz recordings as social texts Catherine Tackley;
• 10. Recordings as research tools: perspectives from ethnomusicology Jonathan Stock;
• 11. Multiple takes: using recordings to document creative process Amanda Bayley;
• 12. The phonographic voice: paralinguistic features and phonographic staging in popular music singing Serge Lacasse;
• 13. The track Allan Moore;
• Part IV . Sonic Creations and Re-Creations:
• 14. From sound to music, from recording to theory John Dack;
• 15. Modes of appropriation: covers, remixes and mash-ups in contemporary popular music Virgil Moorefield;
• 16. Painting the sonic canvas: electronic mediation as musical style Albin Zak; Epilogue:
• 17. Recording technology in the twenty-first century Tony Gibbs; Select bibliography; Select discography; Select webography.