The Keyboard in Baroque Europe

Contents

• Part I . Seventeenth-Century Keyboard Music:
• 1. On Frescobaldi's recreation of the Chaconne and the Passacaglia Alexander Silbiger;
• 2. Hanss Jacob Froberger's travels 1649-1653 Rudolf Rasch;
• 3. New perspectives on Lynar A 1 Pieter Dirksen;
• 4. Creating the corpus: the 'Complete Keyboard Music' of Henry Purcell Christopher Hogwood;
• Part II . The Early Eighteenth Century:
• 5. Towards a genealogy of the keyboard concerto John Butt;
• 6. Couperin, Marpurg and Roeser: A Germanic Art de Toucher le Clavecin, or a French Wahre Art? Davitt Moroney;
• Part III . The Bach Family:
• 7. Invention, composition and the improvement of nature: apropos Bach the teacher and practical philosopher Christoph Wolff;
• 8. Is there an anxiety of influence discernible in J. S. Bach's Clavierubung I? Peter Williams;
• 9. 'Toward the most elegant taste': developments in keyboard accompaniment from J. S. to C. P. E. Bach David Schulenberg; 10 '... welche dem groessten Concerte gleichen': the polonaises of Wilhelm Friedemann Bach Peter Wollny;
• Part IV . The Later Eighteenth Century:
• 11. Schnellen: a quintessential articulation technique in eighteenth-century keyboard playing Menno van Delft;
• 12. Mozart's non-metrical keyboard preludes Robert D. Levin;
• Part V . Musical envoi:
• 13. J. S. Bach: Keyboard Partita in A Minor after BWV 1004 Lars Ulrik Mortensen.