From the Erotic to the Demonic: On Critical Musicology

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From the Erotic to the Demonic: On Critical Musicology

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From the Erotic to the Demonic demonstrates how different musical styles construct ideas of class, sexuality, and ethnic identity. This book will serve as a model for musicologists who want to take a postmodern approach to their inquiries. The clear and lively arguments are supported by ninety musical examples taken from such diverse sources as opera, symphonic music, jazz, and nineteenth- and twentieth-century popular songs. Derek Scott offers new insights on a range of "high" and "low" musical styles, and the cultures that produced them.

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Music and Letters

One of Scott's most noble achievements in this book is the recuperation of musical repertories that have been ignored or marginalized, perhaps suppressed by ideological forces such as the canon. In covering such a wide range of different musics and raising some fundamental issues about music and its interpretation, Derek Scott makes a valuable contribution to our understanding of the interrelationships between style and ideology and, through his projection of a critical musicology, provides a timely, stimulating, and thought-provoking response to the endless discourse surrounding music and musicology

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