Ars nova: French and Italian Music in the Fourteenth Century

Contents

• Contents: Introduction
• Part I Periodization and Boundaries: Novelty and renewal in Italy: 1300-1600, Nino Pirrotta
• Ars nova and stil novo, Nino Pirrotta
• Magister Egardus and other Italo-Flemish contacts, Reinhard Strohm
• Problems of dating in ars nova and ars subtilior, Ursula GA1/4nther. Part II Sources: The ars nova fragments of Gent, Reinhard Strohm. Part III Music Theory: A phantom treatise of the 14th century? The ars nova, Sarah Fuller. Part IV Composers: Francesco
• Gratiosus, Ciconia, and other musicians at Padua cathedral: some footnotes to present knowledge, Anne Hallmark
• Further notes on Magister Antonius dictus Zacharias de Teramo, John NA!das
• Musicology, archives, and historiography, Andrew Wathey. Part V Literary Studies: 'Un leggiadretto velo' ed altre cose petrarchesche, Pierluigi Petrobelli
• Lyrics for reading and lyrics for singing in late medieval France: the development of the dance lyric from Adam de la Halle to Guillaume de Machaut, Lawrence Earp
• On text forms from Ciconia to Dufay, Nino Pirrotta
• Leonardo Giustinian and quattrocento polyphonic song, David Fallows. Part VI Secular Song: New glimpses of an unwritten tradition, Nino Pirrotta
• Improvisation in the madrigals of the Rossi codex, Brooks Toliver
• Landini's musical patrimony: a reassessment of some compositional conventions in trecento polyphony, Michael Long
• Machaut's balades with 4 voices, Elizabeth Eva Leach
• Playing the citation game in the late 14th-century chanson, Yolanda Plumley. Part VII Sacred Music: The sacred polyphony of the Italian trecento, Kurt von Fischer
• Zacara's D'amor Languire and strategies for borrowing in the early 15th-century Italian mass, Michael Scott Cuthbert. Part VIII Motets: The emergence of ars nova, Daniel Leech-Wilkinson
• Myth and mythography in the motets of Philippe de Vitry, Andrew Wathey
• Imitation in the ars nova and ars subtilior, Virginia Ervin Newes
• Deception, exegesis and sou