This is a thorough review of Claude Debussy's later works (1914-18), which today's performers and audiences often overlook. In examining these pieces, Wheeldon (Univ. of Texas, Austin) draws from many resources, including writings by Debussy himself and by various critics and composers (both contemporaneous and later). She reveals how recognition of his own mortality and of the cultural and political crisis in France during this period, i.e., WW I, affected Debussy's musical intentions. The author's background in music theory is evident in her insightful analyses of several compositions, e.g., Debussy's later piano etudes and chamber music song cycles. She provides music notation and helpful tables and figures explaining the basic elements of the music. Chapter conclusions offer clear summaries of the author's perspective. Readers with a sincere interest in Debussy and his music will most appreciate this study, but even moderate enthusiasts will find Wheeldon's prose easy to read and clearly organized. The book includes a few photographs and extensive endnotes but unfortunately no discography or recording recommendations. Summing Up: Recommended. Upper-division undergraduates through faculty. -- A. C. Shahriari

This is a thorough review of Claude Debussy's later works . . . Wheeldon's prose [is] easy to read and clearly organized.May 2009