Sounds of the Modern Nation: Music, Culture, and Ideas in Post-Revolutionary Mexico

Contents

• Acknowledgements
• Introduction: History, Ideas, Musical Writing, and the Writing of Music
• 1. Modernism, Teleology, and Identity: Toward a Cultural Understanding of Julian Carillo's Sonodo 13
• 2. The Avant-Garde as a Site of Identification: Style and Ideology in Carlos Chavez's Early Music
• 3. Manuel M. Ponce, from Nineteenth-Century Modernismo to Twentieth-Century Modernism
• 4. The Sounds of the Nation, Modernity, and Tradition: The First National Congress of Music as Synecdoche of Discourses
• 5. Porfirian Music in Revolutionary Times: Atzimba and the Imagination of "the Indigenous"
• 6. Ideas, Canon, Revolution, and Places in History: Carlos Chavez and His Relationships with Julian Carrillo and Manual M. Ponce
• Notes
• Bibliography
• Index