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Music for a Mixed Taste: Style, Genre, and Meaning in Telemann's Instrumental Works

  • Author: Zohn, Steven

Book

$101.75

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Estimated despatch time 2 - 4 weeks

Contents

  • Abbreviations
  • List of Musical Examples
  • List of Tables
  • List of Figures
  • Prologue: Styles and Sources
  • Telemann and the German Mixed Taste
  • Genius in the Closet
  • Part I: The Overture-Suites
  • 1
  • Acquiring a Mixed Taste: Telemann as grand partisan de la musique Francaise
  • Telemann as Lullist
  • Tradition versus Innovation
  • The Concert en ouverture and Concerto en suite
  • The Overture-Suite in Retrospect
  • 2
  • Telemann's Mimetic Art: The Characteristic Overture-Suites
  • Characteristic Titles/Staging the Overture-Suite
  • The Civic Water Music/Images of Court and Country
  • Telemann's Wit: Burlesque, Parody, and Satire
  • Part II: The Concertos
  • 3
  • Niemals recht von Herzen gegangen?: Telemann's Concertos
  • The Eisenach Concertos
  • Concertos for the Eloquent Oboe
  • Concertos alla francese
  • Telemann and the German Ripieno Concerto
  • The Late Frankfurt and Hamburg Concertos
  • Telemann's Orchestras
  • 4
  • Bach's Debt Repaid with Interest: A Case Study of Transformative Imitation
  • Bach's Borrowing, Telemann's Model
  • Bach, Telemann, and the Eighteenth-Century Aesthetics of Musical Borrowing
  • Part III: The Sonatas
  • 5
  • Something for Everyone's Taste: Telemann's Sonatas to 1725
  • Solos and Trios in the Italian Style
  • Trios alla francese
  • The True Touchtone of a Genuine Contrapuntist: Quartets for Strings and Winds
  • When is a Quartet Not a Quartet?
  • Sonatas in Five to Seven Parts
  • Two Parisian Piracies
  • The Frankfurt Sonata Publications
  • 6
  • Telemann and the Sonate auf Concertenart
  • Defining the Sonate auf Concertenart
  • Titles as Signifiers of Genre
  • Reimagining the Sonata (Concerto)
  • The Vivaldi Cult at Dresden and the Origins of the Sonate auf Concertenart
  • Telemann's Sonaten auf Concertenart
  • The Sonate en concert and French Vivaldisme
  • The Aesthetics of Mixed Genres
  • Part IV: The Hamburg Publications
  • 7
  • Telemann in the Marketplace: The Composer as Self-Publisher
  • Setting up Shop
  • Telemann's Subscribers
  • Production Methods
  • Closing Shop
  • 8
  • Telemann fur Kenner und Liebhaber: The Music of the Hamburg Publications
  • Sonates sans basse
  • Essercizii musici
  • Reading the Faithful Music Master
  • Menuets and Marches
  • Quadri
  • Methodical Sonatas and Nouvelles sonatines
  • The Fantastic Style
  • Musique de table and Six ouvertures a 4 ou 6
  • Divertimenti
  • XII Solos a violin ou traverseere
  • Six concerts et six suites
  • An Omaggio a Corelli?
  • Parisian Sonatas
  • Galanterien
  • 9 Telemann's Polish Style and the True Barbaric Beauty of the Musical Other
  • Gedancken fur ein gantzes Leben: Telemann in Poland
  • A Country in the Moon: Poland, Pastoral, and the Past
  • Representing Poland Musically
  • Afterward
  • Glossary
  • Bibliography
  • Index of Telemann's Compositions
  • General Index