Bach, Handel, Scarlatti 1685–1985

Contents

• 1. Handel and Music for the Earl of Carnarvon Graydon Beeks;
• 2. Aria and Ritornello: New Aspects of the Comparison Handel/Bach Paul Brainard;
• 3. Handel and Hanover Donald Burrows;
• 4. Muzio Clementi as an Original Advocate, Collector and Performer, in Particular of J. S. Bach and D. Scarlatti Stephen Daw;
• 5. Handel's Early London Copyists Winton Dean;
• 6. The 'Dotted Style' in Bach, Handel, and Scarlatti David Fuller;
• 7. The Mietkes, the Margrave and Bach Sheridan Germann;
• 8. Handel's 'Chandos' and Associated Anthems: An Introductory Survey Gerald Hendrie;
• 9. `Der Himmel weiss, wo these Sachen hingekommen sind': Reconstructing the Lost Keyboard Notebooks of the Young Bach and Handel Robert Hill;
• 10. Did J. S. Bach Compose the F minor
• Prelude and Fugue BWV 534? David Humphreys;
• 11. In Search of Bach the Organist Peter Le Hurry and John Butt;
• 12. Keyboard Technique and Articulation: Evidence for the Performance Practices of Bach, Handel and Scarlatti Mark Lindley;
• 13. Bach and Handel as Teachers of Thorough Bass Alfred Mann;
• 14. Tempo and Dynamic Indications in the Bach Sources: A Review of the Terminology Robert L. Marshall;
• 15. Bach, Handel, D. Scarlatti and the Toccata of the Late Baroque Giorgio Pestelli;
• 16. Does 'Well-Tempered' Mean 'Equal-Tempered'? Rudolf Rasch;
• 17. The B minor Mass - Perpetual Touchstone for Bach Research Hans-Joachim Schultze;
• 18. Remarks on the Compositions for Organ of Domenico Scarlatti Luigi Ferdinando Tagliavini;
• 19. Figurae in the Keyboard Works of Scarlatti, Handel and Bach: an introduction Peter Williams.