Native American Song at the Frontiers of Early Modern Music

Contents

• 1. On colonial difference and musical frontiers: directions for a postcolonial musicology;
• Part I . Transatlantic Savagery:
• 2. Protestant imperialism and the metaphysics of new world song;
• 3. The voice of possession;
• 4. The voice of prophecy;
• Part II . Staging the Indian:
• 5. Musicking Indians in the Stuart court masque;
• 6. Savage Lully;
• 7. Rameau's Les sauvages and the aporia of musical nature; Conclusion. Opera, elsewhere.