The Puccini Problem: Opera, Nationalism, and Modernity

Printed on demand

Estimated despatch time 7 - 10 days

Other available formats

Introduction
1. Inventing an Italian composer
2. La boheme: organicism, progress and the press
3. Tosca: truth and lies
4. A frame without a canvas: Madama Butterfly and the superficial
5. Torrefranca vs. Puccini
6. The Italian composer as internationalist
7. A suitable ending?
Epilogue
Appendix I. Selected newspapers and journals
Appendix 2. personalia.

About
Reviews
Explore

About

A detailed investigation of the reception and cultural contexts of Puccini's music, this book offers a fresh view of this historically important but frequently overlooked composer. Wilson's study explores the ways in which Puccini's music and persona were held up as both the antidote to and the embodiment of the decadence widely felt to be afflicting late nineteenth- and early twentieth-century Italy, a nation which although politically unified remained culturally divided. The book focuses upon two central, related questions that were debated throughout Puccini's career: his status as a national or international composer, and his status as a traditionalist or modernist. In addition, Wilson examines how Puccini's operas became caught up in a wide range of extra-musical controversies concerning such issues as gender and class. This book makes a major contribution to our understanding of both the history of opera and of the wider artistic and intellectual life of turn-of-the-century Italy.

Reviews

Music and Letters

It's a rare occasion when a scholar taps into the mother lode, but Alexandra Wilson has done just that with The Puccini Problem: Opera, Nationalism, and Modernity. And she has done it exceptionally well. ... The book is packed with interesting and important information, observations that moved me to take out a pencil and underline nearly every sentence

Book

Other available formats

Contents

Download queue