Music and Text

Contents

• List of figures
• List of contributors
• Preface Steven Paul Scher
• Acknowledgments
• Part I . Institutional Dimensions and the Contexts of Listening:
• 1. Music and literature: the institutional dimensions John Neubauer
• 2. Privileging the moment of reception: music and radio in South Africa Charles Hamm
• 3. Chord and discourse: listening through the written word Peter J. Rabinowitz
• Part II . Literary Models for Musical Understanding: Music, Lyric, Narrative and Metaphor:
• 4. Lyrical modes Paul Alpers
• 5. Origins of modernism: musical structures and narrative forms Marshall Brown
• 6. Metaphorical modes in nineteenth-century music criticism: image, narrative, and idea Thomas Grey
• 7. Narrative archetypes and Mahler's Ninth Symphony Anthony Newcomb
• Part III . Representation, Analysis and Semiotics:
• 8. Music and representation: the instance of Haydn's Creation Lawrence Kramer
• 9. Musical analysis as stage direction David Lewin
• 10. Poet's love or composer's love? Edward T. Cone
• 11. The semiotic elements of a multiplanar discourse: John Harbison's setting of Michael Fried's 'Depths' Claudia Stanger
• Part VI . Gender and Convention:
• 12. Whose life? The gendered self in Schumann's Frauenliebe songs Ruth A. Solie
• 13. Operatic madness: a challenge to convention Ellen Rosand
• 14. Commentary: form, reference, and ideology in musical discourse Hayden White
• Index.