Perception And Cognition Of Music

Contents

• Part 1 : Musicological Approaches. S. Arom, G. Leothaud, F. Voisin, Experimental Ethnomusicology: An Interactive Approach to the Study of Musical Scales. D. Cohen, R. Katz, Attitudes to the Time Axis and Cognitive Constraints: The Case of Arabic Vocal F
• Part 2 : Development Approaches. R.M. Abrams, K.K. Gerhardt, Some Aspects of the Foetal Sound Environment. S. Trehub, E. Schellenberg, D. Hill, The Origins of Music Perception and Cognition: A Developmental Approach. T. Umemoto, Developmental Approaches
• Part 3 : Biological Approaches. A.D. Parel, I. Peretz, Is Music Autonomous from Language? A Neurophysiological Appraisal. M. Besson, Electrophysiological Studies of Music Processing.
• Part 4 : Acoustical and Computational Approaches. J.M. Hajda, R.A Kendall, E.C. Carterette, M.L. Harshberger, Methodological Issues in Timbre Research.
• Part 5 : Structural Approaches. L.L. Cuddy, Tonal Relations. I. Cross, Pitch Schemata. I. Deliege, M. Melen, Cue Abstraction in the Representation of Musical Form. J.J. Nattiez, What is the Pertinence of Lerdahl-Jackendoff Theory. F. Lerdahl, Composing