Native American Music in Eastern North America: Includes CD

Contents

• Foreword:
• Preface:
• CD Track List:
• 1. Traditions of Knowledge: Indigenous Knowledge and the Western Music School
• Names Matter!
• Writing this Book as an Encounter
• Traditional Ways of Knowing
• Traditional Indigenous Knowledge
• The Great Texts of Native American Communities as TIK?
• Language, Oral Transmission, and Worldview
• Place and Attention to the Environment
• The Inseparability of Traditional Indigenous Knowledge, Oral Transmission, and Experience
• Relationality
• What Ethnomusicology Brings to the Study
• 2. Music and Historical Encounter: Inuit Communities
• Traditional Genres of Song
• Inuit Musical as Historical Record and Judicial System
• Inuit Music as Play
• New Throat Singing Encounters: Local-Global Tensions
• 3. Music and Historical Encounter: The Wabenaki and Other Eastern Algonquian
• Nations
• Retaining Pre-Contact Forms of Traditional Knowledge
• Spaces Beyond Colonial Control:
• Rituals of Renewal:
• Narratives and Performances that Relate to Encounter:
• Indigenous Uses of New Performance Traditions
• Christian Hymns:
• Secular Repertoires and Contexts:
• Contemporary Wabenaki Social Dance and Song Traditions
• Introducing the Haudenosaunee
• 4. Music and Historical Encounter: Haudenosaunee Music Culture with Occasional References to Cherokee Traditions
• Attending a Sing
• Traditional Knowledge and Modernity: Contemporary Adaptations of Social Dance Songs
• Haudenosaunee Singers and Social Dance Songs
• Iroquois Hymns
• Traditional Knowledge and Encounter
• 5. Contemporary Inter-Tribal and Cross-Cultural Native American Music
• Powwows in Eastern North America
• Powwow Fundamentals
• The Commodification of Powwow Music
• Contemporary Popular Music and Theatre
• Contemporary Native American Music and Identity
• Epilogue:
• Glossary:
• References:
• Resources:
• Index: