Contents
- Introduction
- Part I Terms and Topics
- 1. Origins of Opera The ultimate Baroque expression Baroque Characteristics The Florentine Camerata: Opera's First Theorists From Polyphony to Monody: Solo Song Monody as Recitative Opera's forerunners The Intermedio Learned Comedy (Commedia erudite) Ita
- 2. Music and Text Relationships The libretto Poetry and musical structures Compositional strategies Subjects, themes, and musical expression Summary
- 3. Opera in Theaters Patronage Public Theaters Economics of opera Historic Houses Summary
- 4. History of Opera on Media Recordings Opera on musical boxes The earliest recordings Opera on LPs and CDs Operas on video and DVD Film versions Summary
- 5. Professions Composers Librettists Singers The Impresario Conductors and Directors Musicians and Dancers Critics Summary
- 6. Opera as a Mirror of Culture and Society Cultural Expression Opera as class symbol Operatic seasons and society Censorship Opera and religion Gender politics Nationalism The Role of the Audience Summary
- PART II Genres and Styles
- 7. Serious Opera Opera seria Tragedie lyrique Opera comique Music drama and Gesamptkunstwerk Summary
- 8. Comic Opera Opera buffa Farsa Intermezzo Dramma giocoso Opera comique Opera bouffe Summary
- 9. Semi-serious Opera Opera semiseria Operetta Summary
- 10. Vernacular Opera Singspiel Zarzuela Semi-opera Ballad opera Summary