Early Music History Volume 23

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1. Guillaume de Machaut and his canonry of Reims 1338-1377 Roger Bowers;
2. 'Notes as a garland': the chronology and narrative of Byrd's Gradualia Kerry McCarthy;
3. Folio format and musical organisation in the liturgical repertoire of the Ivrea and Apt codices Kevin N. Moll;
4. Architectural spaces for music: Jacopo Sansovino and Adrian Willaert at St Mark's Laura Moretti;
5. Reading carnival: the creation of a Florentine carnival song William F. Prizer;
6. Schein's occasional music and the social order in 1620s Leipzig Stephen Rose; Reviews.

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Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume twenty-three include: Guillaume de Machaut and his canonry of Reims 1338–1377; 'Notes as a garland': the chronology and narrative of Byrd's Gradualia; Reading carnival: the creation of a Florentine carnival song; Schein's occasional music and the social order in 1620s Leipzig.

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