Contents
- PREFACE
- ACKNOWLEDGMENTS
- CHAPTER I ABOUT THE ONE-KEYED FLUTE
- On the Flute
- A bit of history
- Names
- Materials used
- Range
- Concerning the highest notes
- On the Parts of the Flute
- Three-piece flute
- Four-piece flute
- The tenon
- The cork
- The screw cap
- The foot register
- On Pitch
- Modern replicas
- Corps de rechange
- On Choosing a Flute
- Pitch
- Style
- Woods
- Used flutes
- On Care
- Checklist
- Oiling the flute
- CHAPTER II LEARNING TO PLAY THE ONE-KEYED FLUTE
- On Getting Started
- How to proceed
- Assembly
- On Holding the Flute
- Physical problems
- Left hand
- Right hand
- Checklist
- An interesting side line
- On Tone
- Checklist
- Embouchure
- Amusing side line
- CHAPTER III On Homogeneity of Sound (Tone Color Tendencies)
- Strong notes
- Weak notes
- Changes at century's end
- On Key (Tonality)
- On Vibrato
- The flattement
- How is the flattement executed?
- How is the flattement used?
- The flattement with the messa di voce
- Notation
- Are we certain that breath vibrato was not used?
- Recommended readings
- On Intonation
- How to tune
- Playing "in tune"
- Enharmonic notes
- Practical application
- Practicing good intonation
- Adjusting for intonation
- On Playing Forte and Piano
- Using the screw cap
- On Rhythmic Hierarchy
- "Good" notes, "bad" notes
- Practical application
- Quick notes
- Beating time
- Recommended readings
- On Articulation
- Articulation silences
- Unslurred notes
- Eighteenth-century patterns for quick notes
- Double tonguing
- Recommended readings
- On Further Readings
- CHAPTER III FINGERINGS FOR THE ONE-KEYED FLUTE
- On Fingerings
- Why so many choices?
- Lowering the pitch
- Use of the key
- Extending the range
- Alternate f sharp
- How many fingerings?
- On Trills
- Wide Trills
- Execution
- Recommended readings
- Explanation of the Charts
- Basic Fingering Chart
- Complete Fingering Chart
- Table of Trills
- Flattement Chart
- CHAPTER IV EXERCISES AND TUNES TO PLAY
- About the Music
- Duet playing
- Exercises and Tunes (Eighteenth-Century Sources)
- D Major
- G Major
- e mmor
- A Major
- CHAPTER V MODERN STUDIES FOR ONE-KEYED FLUTE
- Introduction to Modern Studies
- Practice Routine
- Modern Exercises
- Major sequences for the one-keyed flute
- Broken chord studies in the major keys
- Broken chord studies in minor keys
- APPENDIX A THE "TOP 13" EIGHTEENTH-CENTURY FLUTE TUTORS
- APPENDIX B ON REPERTOIRE FOR THE
- BEGINNING ONE-KEYED FLUTIST
- Easy solos
- Collections
- Studies
- Easy Duets
- ANNOTATED BIBLIOGRAPHY: BEFORE 1853
- AFTER 1853