Exploring Roots Music: Twenty Years of the JEMF Quarterly

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Chapter 1 Foreword
Chapter 2 Introduction
Chapter 3 Folklore: A Sub-Discipline of Media Studies?
Chapter 4 Scopes and Evolution in Hillbilly Songs
Chapter 5 Commercial Music Graphics #9: Sheet Music Covers
Chapter 6 Grass Roots Commercialism
Chapter 7 Between Two Cultures: One Viewer's Response to "Earl Scruggs: His Family and Friends"
Chapter 8 The WLS National Barn Dance Story: The Early Years
Chapter 9 "I'm a Record Man": Uncle Art Satherley Reminisces
Chapter 10 The Life of Alfred G. Karnes
Chapter 11 International Relations, Dr. Brinkley, and Hillbilly Music
Chapter 12 "Henry Clay Beattie": Once a Folksong
Chapter 13 John "Knocky" Parker: A Case Study of White and Black Musical Interaction
Chapter 14 "We Made Our Name in the Days of Radio": A Look at the Career of Wilma Lee and Stoney Cooper
Chapter 15 WNAX: Country Music on a Rural radio Station 1927-1955
Chapter 16 Woodhull's Old Tyme Masters: A Hillbilly Band in the Northern Tradition
Chapter 17 Roots of the Country Yodel: Notes Toward a Life History
Chapter 18 Riley Puckett: "King of the Hillbillies"
Chapter 19 Folk and Hillbilly Music: Further Thoughts on Their Relations
Chapter 20 Commercial Music Graphics #44: John Held Jr.: Jazz Age and Gilded Age
Chapter 21 Buell Kazee
Chapter 22 Columbia Records and Old-Time Music
Chapter 23 Popular Music and the Fiddler
Chapter 24 Country Music in Italy: A Matter of Controversy
Chapter 25 The Rise and Decline of the Standard Transcription Company
Chapter 26 Early Knoxville Radio (1921-1941): WNOX and the "Midday Merry Go-Round"
Chapter 27 Ethnic Country Music on Superior's Southern Shore
Chapter 28 Commercial Music Graphics #64: Farewell Tony
Chapter 29 "Wreck on the the Highway": Rhetoric and Religion in a Country Song
Chapter 30 Index
Chapter 31 About the Author

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From its beginnings in the early 1920s, commercial country music—as performed on stage, on records, radio, and in movies—became an increasingly pervasive and lively part of American life, yet some forty years passed before it was given serious attention by writers, historians, scholars, and students of national culture. The first publication founded for promoting the systematic research and recognition of country music was the John Edwards Memorial Foundation (JEMF) Quarterly at the University of California, Los Angeles, in 1965. Over time, the JEMF Quarterly brought to light the lives and careers of dozens of pioneer musicians, including Alfred G. Karnes, the Carter Family, Riley Puckett, and Buell Kazee, along with details of early commercial radio operations, the sources of many traditional songs, and the reproduction of historical documents. In addition, the early work of many contributors who later became known as major scholars in the field-Archie Green, Charles Wolfe, Norm Cohen, Simon J. Bonner, and Loyal Jones among others-appeared on the pages of the JEMF Quarterly during its 19 years in publication. Exploring Roots Music reprints twenty-seven representative articles published in the JEMF Quarterly over the years, until it ceased publication in 1985. It also includes many illustrations and an introduction that seeks to place the journal in historical perspective and illuminate its central importance to the study of American culture.

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It's hard to imagine anyone with a serious interest in the music being disappointed with this publicationnnnn

It's hard to imagine anyone with a serious interest in the music being disappointed with this publication

This book is more enjoyable than any anthology has a right to be. That's because of the energy and eye for detail supplied by the writers, the irascibility, humor or wisdom of many of the personalities described and, of course, Nolan Porterfield's light but deft touch on every page

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