The Cambridge Companion to the Lied

Contents

• Notes on the contributors
• Acknowledgments
• The Lied in context: a chronology
• Names and dates mentioned in this Volume
• Part I . Introducing a Genre: '
• Introduction Why the Lied?' James Parsons:
• 1. 'In the beginning was poetry' Jane Brown
• Part II . The Birth and Early History of a Genre in the Age of Enlightenment:
• 2. The eighteenth-century Lied James Parsons
• 3. The Lieder of Carl Philipp Emanuel Bach, Haydn, Mozart, and Beethoven Amanda Glauert
• Part III . The Nineteenth Century: Issues of Style and Development:
• 4. The Lieder of Schubert Marie-Agnes Dittrich
• 5. The early nineteenth-century song cycle Ruth O. Bingham
• 6. Schumann: reconfiguring the Lied Jurgen Thym
• 7. The Lied at mid-century James Deaville
• 8. The Lieder of Liszt Rena Charnin Mueller
• 9. The Lieder of Brahms Heather Platt
• 10. Tradition and innovation: the Lieder of Hugo Wolf Susan Youens
• 11. Song beyond song: instrumental transformations and adaptations of the Lied from Schubert to Mahler Christopher H. Gibbs
• Part IV . Into the Twentieth Century:
• 12. The Lieder of Mahler and Richard Strauss James L. Zychowicz
• 13. The Lied in the modern age: to mid century James Parsons
• Part V . Reception and Performance:
• 14. The circulation of the Lied: the double life of an artwork and a commodity David Gramit
• 15. The Lied in performance Graham Johnson
• A guide to suggested further reading
• Index.