Ulehla, L: Contemporary Harmony

Contents

• Part I: Musical influences present in 1900
• Chapter 1: Rhythmic and melodic structure
• Chapter 2: Intervallic unity
• Chapter 3: Harmonic growth
• Chapter 4: Details concerning the ninth chord
• Chapter 5: Eleventh and thirteenth chords
• Chapter 6: Leading-tone chord
• Chapter 7: Modern application
• Part II: Impressionism
• Chapter 8: Modal influence
• Chapter 9: Influence of modes on harmony
• Chapter 10: Unrestricted melodic movement of all chord members
• Chapter 11: The tritone, the whole-tone scale, and whole-tone dominants
• Part III: The Rise of Modern Dissonance
• Chapter 12: Free counterpoint and the twelve-tone scale
• Chapter 13: Bichordal writing and polytonality
• Part IV: Contrapuntal Writing
• Chapter 14: Linear Roots
• Chapter 15: Two-part writing
• Chapter 16: Intervallic structures in the writing of three or more parts
• Part V: Intervallic Structures in Homophonic Textures
• Chapter 17: Fourth chords and perfect fifths
• Chapter 18: Intervallic structures emanating from bass intervals of sixths, thirds, sevenths, and seconds
• Chapter 19: The control of dissonance
• Part VI: The Twelve-Tone Row
• Chapter 20: Its strict application
• Chapter 21: Atonality
• Chapter 22: A summary of procedures for contemporary Analysis
• Acknowledgments
• Index of Musical examples