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Offer,Wolf, M B: Principles of Double Bass Technique

  • Composer: Wolf, Michael Barry

Book

Original price ($32.75) Reduced price $24.56

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Contents

  • Foreword
  • Section One: Weight and Posture
  • Varying effective weight
  • Progression of muscular support from back to arm
  • Progression of muscular support from hand to arm
  • Manipulating weight through posture
  • Posture and motion
  • Section Two: Motion Analysis
  • Types of motion
  • Fulcrum placement and inherent frequency
  • Active and passive modes
  • External and internal resistence
  • Sensory training
  • Compromises
  • Section Three: Simple Motions
  • Pectoral girdle
  • Upper arm
  • Lower arm
  • Wrist
  • Section Four: Complex Motions
  • Pectoral Girdle/Upper Arm
  • Upper Arm/Lower Arm
  • Lower Arm Extension/Rotation
  • Wrist/Fingers
  • Left hand fingers
  • Consecutive motions
  • Section Five: Right Hand Technique
  • Physics of the bowed string
  • Bow grip and weight
  • Tone production
  • Bow speed
  • Bow changes
  • String changes and double stops
  • Tone colour
  • Dynamics
  • Modes of bow motion
  • Bowings
  • Additional colours
  • Section Six: Fingering
  • The four-finger system
  • Left hand position
  • Left hand strength
  • Fingering patterns
  • Thumb position
  • Extansions
  • Contractions
  • Replacement
  • Trills
  • Fingered fourths
  • Using the thumb in the lower position
  • Harmonics
  • Choosing fingerings
  • Section Seven: Shifting
  • Analysis
  • The short shift
  • The long shift
  • Borrowed notes
  • Section Eight: Vibrato
  • Analysis
  • Execution
  • Vibrato and shifting
  • Vibrato and fingering
  • Vibrato as an expressive medium
  • Section Nine: Left Hand/Right Hand Coordination
  • Analysis
  • Fingering and bowing
  • Shifting and bowing
  • Shifting, fingering and bowing
  • Section Ten: Intonation
  • Analysis
  • Tuning the instrument
  • Ear and tactile training
  • Section Eleven: Scales and Modes
  • Tetrachord fingerings
  • Modal fingerings in the Lower Positions
  • Modal fingerings in the Thumb Position
  • Overview modal fingerings
  • Scales Studies
  • Short shift scales
  • Triplet patterns
  • Section Twelve: Practicing
  • Physiological basis of learning
  • The learning process
  • Practice principles
  • Practice techniques
  • Practice aids
  • Section Thirteen: Preparing for Performance
  • Practice vs. performance
  • Transition from practice to performance
  • Developing a Philosophy of Music