Hector Berlioz - Miscellaneous Studies
- Editor: Morabito, Fulvia
- Editor: Niccolai, Michela
Hector Berlioz - Miscellaneous Studies
- Editor: Morabito, Fulvia
- Editor: Niccolai, Michela
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Introduzione di Julian Rushton. Saggi di Diana Bickley, Claudio Bolzan, Guillaume Bordry, Laura Cosso, Katharine Ellis, Roberto Illiano, Michela Niccolai, Mark A. Pottinger, Alban Ramaut, Cécile Reynaud, Julian Rushton, Lesley A. Wright
This volume inaugurates the series of Studies of the twice-yearly journal Ad Parnassum. A Journal of 18th and 19th-Century Instrumental Music. These publications are devoted to individual composers who have made a significant impact in the field of instrumental music. In this way they remain securely within the journal’s area of interest, though without actually imposing strict limits on the specific themes treated, given that the entire output of the composers concerned may be taken into account, not just the instrumental music. As in the case of Hector Berlioz (Côte-St. André, 1803 - Paris, 1869), the composer chosen for the present volume. This collection of miscellaneous studies ranges widely, therefore, from his instrumental production to the operas, also taking in his contributions to music criticism and the theoretical literature.
Contents
- Preface
- Abbreviations
- Berlioz Nationalist, Berlioz Internationalist? (Julian Rushton)
- «Ma carrière est fi nie»: Berlioz et le chant de la nostalgie (Guillaume Bordry)
- Berlioz, the Sublime, and the Broderie Problem (Katharine Ellis)
- Il teatro immaginario di Hector Berlioz nella società e nella cultura del tempo (Claudio Bolzan)
- «Ouverture du Corsaire» (Diana Bickley)
- Il tema della natura in Berlioz: appunti per una rifl essione (Laura Cosso)
- The Gothic in Berlioz’s «La nonne sanglante» and the «Grand traité d’instrumentation» (Mark A. Pottinger)
- Hector Berlioz un article oublié? (Alban Ramaut)
- Stephen Heller et Hector Berlioz: regards croisés (Cécile Reynaud)
- Berlioz all’Opéra-Comique (1892): annotazioni in margine alla mise en scène dei «Troyens à Carthage» (Michela Niccolai)
- Il trattato di orchestrazione di Berlioz: appunti inediti di Luigi Dallapiccola (Roberto Illiano)
- Berlioz in 1903: The Centennial in France (Lesley A. Wright)
- Index of Names
